SIR Audio Tools Releases StandardCLIP Dynamics Control + Effects Plug-In
SIR Audio Tools is a plug-in developer that offers a handful of intelligently developed plug-ins. StandardCLIP, their latest offering, allows for control over the volume level of an audio signal or for...
View ArticlePensado Awards 2015 Preview: 5 Questions with Herb Trawick and Dave Pensado
Thomas Alva Edison’s tinfoil phonograph? Nope. The player piano? Guess again: (l-r) Dave Pensado and Herb Trawick are set to preside over The Pensado Awards 2015. (Photo by Charley Gallay/Getty Images...
View ArticleWorld Class NYC Studio Available for Lease Takeover or Sublet – Midtown
A world class commercial NYC studio has become available for lease takeover or sublet. The control room of OZ’ Studio A. The facility is OZ Studios, which is located in Midtown and opened in 2012. The...
View ArticleForte Offers Free Music Notation Software to Celebrate its 500,000th Download
Forte is a music notation software developed with quickness and ease of use in mind. The Hamburg, Germany-based developers are celebrating their 500,000th download this week by giving away their Forte...
View ArticleMastering Your Compressor: Attack & Release Settings [VIDEO]
Justin Colletti is back on the SonicScoop video blog with an in-depth look at setting your compressors’ attack and release controls. Master this essential and skill, and dramatically improve your...
View ArticlePlugin Review: iZotope RX Final Mix
RX Final Mix. The world of pro audio plugins is an ever-expanding marketplace. New products arrive almost every day it seems, fighting for our attention and our dollars. When it comes to the tools we...
View ArticleJeff Juliano on Mixing Big Records in a Small Town
[Michael Duncan interviews Jeff Juliano, who has worked with artists including Train, John Mayer, Jason Mraz, O.A.R., Lifehouse, Shinedown, Satellite, Paramore, Dave Matthews Band, Twenty One Pilots,...
View ArticleTascam Announces Celesonic US-20×20 Audio Interface and VL-S3 Monitors
Tascam has unleashed two new products for us to get our hands on – The Celesonic US-20×20 interface, and the VL-S3 compact monitors. The Celesonic US-20×20 is a USB 3.0 driven interface with eight of...
View Article5 Tips for Getting Better Mix Balances
Justin Colletti is back with some quick tips on the SonicScoop video blog! This time: getting your balances right and keeping perspective throughout a mixing session. … Read More
View Article5 Ways To Get The Most Out Of Digital Drums
This is a guest post by producer/songwriter Eyal Levi [The Black Dahlia Murder, Chelsea Grin, The Contortionist, Daath]. He has recently collaborated with Drumforge to create an all-new sample library,...
View ArticleiZotope Announces RX Post Production Suite and RX 5 Audio Editor
iZotope announced at IBC 2015 that they will be bundling several of their current software products to produce the RX Post Production Suite that also includes the RX 5 Audio Editor, a significant new...
View ArticleTransaudio Group Now Shipping Drawmer 1978 Stereo FET Compressor
Transaudio Group is now shipping the Drawmer 1978 Stereo FET Compressor, capturing vintage character with an extended tonal palette. The all analog rack-mount compressor comes equipped with the...
View ArticleNew Gear Review: BAE 1073MPL
The BAE 1073 MPL 1073. Among audio engineers, these numbers evoke reverence, tradition, and occasionally, lust. The presence of these classic modules in so many famous studios, along with the records...
View ArticleWaves Audio Launches eMo D5 Dynamics Plugin: 5-in-1 Multi-Dynamics with...
It’s not an appetite for destruction – this is a parallel for detection. It’s 5 in 1 with Waves’ new eMo D5. If we seem to speak cryptically, allow us to clarify: Waves Audio has launched the eMo D5...
View ArticleEars Behind the Gear: Larry Pendergrass — Engineering What’s Next for Mackie,...
Behind every audio engineer, there’s an engineering exec like Larry Pendergrass. In July, Pendergrass was named SVP of Engineering at LOUD Technologies, and now he has a lot on his shoulders. There are...
View ArticleThe Best Way to Start a Mix?
Sometimes the worst way to to start a mix is at the beginning. What does that mean? Click below to find out as Justin Colletti offers a better way to start your mixes off right: … Read More
View ArticleUniversal Audio Introduces Apollo Twin USB Audio Interface for Windows Systems
As we’re all aware Universal Audio is no stranger to the OS X environment. In fact, UA has traditionally made its Apollo interfaces specifically available for Mac over Thunderbolt – Until today!...
View ArticleJBL Launches 7 Series — Next Gen Monitoring System for Post and Broadcast...
At IBC 2015, HARMAN JBL Professional (yes, that is the full legal name) has announced a new modular referencing monitor system. The take from this system is that it can be scaled to any size room, and...
View ArticleNew Plugin Review: The Axis EQ from Sly-Fi Digital
The Axis EQ plugin from Sly-Fi Digital Sly-Fi Digital, a newly founded digital arm of UBK Audio, launched last month with what seems like highly varied product line, especially when you consider the...
View ArticleTreasure From Trash: 3 Tips for Mixing with Distortion
Much of audio engineering is about avoiding distortion. Outside of guitar sounds and tube saturation, “distortion” is often considered a dirty word. “Dirty” is all a matter of perspective though, and...
View Article